The Religion of Money in F. Scott Fitzgerald’s The Great Gatsby - Essay

The Religion of Money in The Great Gatsby   â â Near the start of George Bernard Shaw's Major Barbara, Mr. Undershaft shouts in answer of another's inquiry, well, I am a mogul, and that is my religion (Shaw 103). Numerous individuals look toward the sky looking for the ability to empower them to live on the planet. Others, similar to Shaw's Mr. Undershaft, look toward all the more natural subjects to acquire their capacity and represent their status. Regularly these subjects, for example, cash, riches, or physical excellence and capacity, give their proprietors an oppressive feeling of influence and capacity in the entirety of that they do. A few people become so fixated on their materialistic force that it turns into their religion and leads them in everything that they do. In F. Scott Fitzgerald's The Great Gatsby, the character of Tom Buchanan is presented and depicted as somebody who has permitted his physical capacities, cash, and riches, become his religion and lead him in his activities, saw considerations and con victions, and discourse.  Scratch, the principal individual storyteller of The Great Gatsby, presents Tom as a national figure as it were, one of those men who arrive at such an intense restricted greatness at twenty-one that everything subsequently appreciates of let-down (Fitzgerald 10). In school at New Haven, Tom depended on his physical capacities, as one of the most remarkable closures that at any point played football (Fitzgerald 10), just as acquired riches to give him the influence and renown to be seen as superior to the best. In the start of his school vocation, as Nick appears to propose, it was this incomparable physical capacity on the football field that permitted Tom to have preeminent rule over all off the field. Yet, after school, the football heritage finished, and with it, Tom'... ...lected to make a short deft development [that] tore her nose with his open hand (Fitzgerald 41) as opposed to concede that the other party could accomplish something without his unequivocal authorization.  From his first presentation right off the bat in the primary part of The Great Gatsby as far as possible of the second, Tom endeavors to continually help everybody around him to remember his capacity through his activities, contemplations, and discourse. Like illustrious subjects faithful to their lord, he accepts that everybody is under him and should regard and comply with all his desires. Through the dominance of Fitzgerald's graceful hand, a character has been made to which riches has become a religion and god has become an exemplification of himself.  Works Cited Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner-Simon, 1992. Shaw, George Bernard. Pygmalion and Major Barbara. New York: Bantom Books, 1992.